The goal of each stage is to suppress enemies and survive, dodging countless bullets with these Matrix-like reflexes. The badass action flick sequences of other shooters - you know, leaping into a room of enemies, narrowly dodging a payload of hot lead, and popping heads like they’re zits - are reserved for experts, but Superhot has you, no matter your gaming prowess, achieving them within minutes. The tweak is simple in nature but seismic in effect, crumbling the barrier to entry of a genre reliant on twitchy reflexes.
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The game is as slow or as fast as you’d like, allowing you to carefully align a headshot, evade a punch, or take a breath and consider how to untangle the deadly knot you find yourself in.
Think of the schoolyard game of red light, green light - but applied to all physics. Everything in Superhot's ceramic world - the people, the vehicles, the shrapnel, ammunition - move only when the player moves. Where its contemporaries like Call of Duty and Battlefield have chosen to be faster, louder, and more complex, Superhot is slower and compact, akin to a box of puzzles - very deadly puzzles that involve, yes, shooting people in the head.
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Created by a small team on a modest budget, the shooter finds novelty in the creatively exhausted genre. Superhot is another game about shooting people in the face, but wait please don’t leave.
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